Artist: Timothy Roberts
Title: Cabanilles: Keyboard Music, Vol. 2
Year Of Release: 2018
Label: Toccata Classics
Genre: Classical
Quality: flac lossless +booklet
Total Time: 01:18:43
Total Size: 403 mb
Tracklist---------
01. Tientos: No. 65, Lleno, de quinto tono
02. Tientos: No. 109, De contras de octavo tono
03. Tientos: No. 126, De clarines de sexto tono
04. Versos: No. 61, Sobre Ave Maris Stella, de primero tono
05. Tientos: No. 4, Partido de mano derecha sobre Ave Maris Stella, de primero tono
06. Versos: No. 62, Sobre Ave Maris Stella, de primero tono
07. Tientos: No. 15, De falsas, de quinto tono
08. Tientos: No. 107, Partido de mano izquierda, de tercero tono
09. Versos: No. 230, -
10. Versos: No. 232, -
11. Versos: No. 257, -
12. Versos: No. 233, -
13. Versos: No. 262, Partido de dos bajos
14. Versos: No. 277, De ecos
15. Versos: No. 256, -
16. Versos: No. 286, -
17. Versos: No. 261, Partido de dos bajos
18. Versos: No. 267, -
19. Versos: No. 231, -
20. Tientos: No. 42, Partido de dos tiples, de cuarto tono
21. Tientos: No. 16, Lleno, de quinto tono
22. Tientos: No. 24, Lleno, de octavo tono
23. Pasacalles IV de quatro tono
24. Tientos: No. 10, Lleno, de tercero tono
The organ music of Joan (or Juan) Cabanilles (1644-1712) is virtuosic and colourfully Baroque, andtouched with a distinctively Spanish intensity.
Cabanilles is claimed as the most prolific of all composers for the organ, and publication of his works,begun in 1927, has not caught up with his output
The surviving manuscripts can be seriously corrupt, requiring extensive editing and sometimes evendetailed recomposition. This recording therefore uses a number of new editions to present the music asnever heard before, as close as possible to what the composer might have intended.
From the press reaction to Vol. 1 of this series: 'I simply had to drop everything to recommend this Toccata Classics recording in the strongest possible terms to all lovers of renaissance and baroque music and of organ music in general' (MusicWeb International); 'this recording may be the closest thing we'll ever get to hearing Cabanilles's music as he might have played it. I look forward to the next volume of the collection' (Fanfare)
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