Bettina Smith, Jan Willem Nelleke - Mirages (2018) [Hi-Res]

Tracklist
01. Poeme d'un jour, Op. 21 I. Rencontre
02. Poeme d'un jour, Op. 21 II. Toujours
03. Poeme d'un jour, Op. 21 III. Adieu
04. Mirages, Op. 113 I. Cygne sur l'eau
05. Mirages, Op. 113 II. Reflets dans l'eau
06. Mirages, Op. 113 III. Jardin nocturne
07. Mirages, Op. 113 IV. Danseuse
08. La Bonne Chanson, Op. 61 I. Une Sainte en son aureole
09. La Bonne Chanson, Op. 61 II. Puisque l'aube grandit
10. La Bonne Chanson, Op. 61 III. La Lune blanche luit dans les bois
11. La Bonne Chanson, Op. 61 IV. J'allais par des chemins perfides
12. La Bonne Chanson, Op. 61 V. J'ai presque peur, en verite
13. La Bonne Chanson, Op. 61 VI. Avant que tu ne t'en ailles
14. La Bonne Chanson, Op. 61 VII. Donc, ce sera par un clair jour d'ete
15. La Bonne Chanson, Op. 61 VIII. N'est-ce pas
16. La Bonne Chanson, Op. 61 IX. L'Hiver a cesse
17. L'Horizon chimerique, Op. 118 I. La mer est infinie
18. L'Horizon chimerique, Op. 118 II. Je me suis embarque
19. L'Horizon chimerique, Op. 118 III. Diane, Selene
20. L'Horizon chimerique, Op. 118 IV. Vaisseaux, nous vous aurons aimes
It is truly in his songs that Fauré reveals the flower of his genius?, wrote the composer?s former pupil Maurice Ravel. More than a hundred songs written over six decades made Fauré perhaps the greatest master of the genre French 'melodie'.
The present collection takes us on a journey from Fauré's first song cycle, 'Poème d'un jour' (1878), to his last, 'L'Horizon chimérique' (1921), via the exultant 'La Bonne Chanson' (1892-94) and the intensely concentrated 'Mirages' of 1919. The songs have texts by French poets of Fauré's time; here we find poems of Charles Grandmougin, Baronne de Brimont, Paul Verlaine and Jean de La Ville de Mirmont.
'Mirages' concludes Bettina Smith's project for LAWO Classics of recording all of Gabriel Fauré's cycles for voice and piano. It was preceded in this series by 'Fêtes Galantes' (LWC1116) and 'Serres Chaudes' (LWC1008), both together with pianist Einar Røttingen. Together they have also released 'Voices of Women', with songs of Fartein Valen, Jostein Stalheim and Ketil Hvoslef, composers from Norway's west coast.
Mezzo-soprano Bettina Smith is from Bergen. After graduating from Bergen Conservatory of Music, she studied with Wout Oosterkamp and Elly Ameling at the Royal Conservatory of Music in the Hague. This was followed by two years at the Zürich International Opera Studio. With a wide repertory ranging from medieval to contemporary music, Bettina Smith appears regularly as oratorio and cantata soloist, or together with pianists Jan Willem Nelleke and Einar Røttingen.
Dutch pianist Jan Willem Nelleke's exceptional qualities as a duo partner have been widely recognised. His playing has been described as 'sparkling raindrops, rich chords and beautiful interludes' and as an 'ever alert co-operation with the soloist'.
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