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Carl Schuricht - Mozart: Symphonies Nos.36, 38, 40, 41 (1961-64) [2016 SACD The Valued Collection Platinum]

Категория: Музыка  15 августа 2020 от kingdevil, прочтено (166)
 (голосов: 0)


Carl Schuricht - Mozart: Symphonies Nos.36, 38, 40, 41 (1961-64) [2016 SACD The Valued Collection Platinum]


Artist: Carl Schuricht
Title: Mozart: Symphonies Nos.36, 38, 40, 41
Year Of Release: 1961-64 [2016]
Label: Tower Records [TWSA-1005~06]
Genre: Classical
Quality: DSD64 image (*.iso) | FLAC (24bit/88,2 kHz)
Total Time: 01:39:16
Total Size: 2,7 GB / 1,8 GB (+3%rec.)

One of the famous recordings of Schuricht's concert hall recordings. Mozart's long-awaited SACD!
The CD layer recurs with a new remastering that is different from the conventional version! Mozart's birthday (1/27) is on sale!
SAW hybrid specification board of TWCO-72 / 3 released on September 12, 2014 (CD layer is another mastering). A hybrid SACD of a performance that Schuricht left on a concert hall label. With SACD, you can enjoy high-quality sound very close to the master tape. Also, the CD layer has been newly remastered with DENON genuine equipment from analog master tape this time, so you can enjoy sound quality different from the conventionally released board. This CD layer is positioned as an extra to enjoy more music. As a "plus alpha", it is a limited edition that can be enjoyed by those who have a conventional CD. This second release will release a total of three titles. The recording of Schuricht's last concert with a concert hall label, despite being praised for conveying the greatness of the conductor, has always been doomed to fighting poor sound quality. The high-bit / high-sampling (192kHz / 24-bit) reprint may have finally been released from the spell. In the extreme movement in the first movement of No. 36 "Linz", how to make a fine sound to the sound of the string that is less than a few measures, the heavyness in No. 38 "Prague" means a light step Superb movement of the center of gravity, the use of the 40th withered and daring, and the expressiveness of the 41st "Jupiter", which is embedded in the freshness that seems to bleed if cut, etc. Height ... I can hear the details of pulling them out of an orchestra, which should be a heavy instrument for Mozart's music, modern instruments. The sound quality that was well received at the last CD release was further upgraded in the SACD layer. You can enjoy the vividness and delicate sound of stringed instruments. The CD layer has also been digitized (44.1kHz / 20bit) with different specifications from analog tape. Mozart's 260th birthday, an everlasting masterpiece, will be re-released with the highest quality sound.

~Google Interpreter
Tracks:
SACD 1
01. 交響曲第36番 ハ長調 K.425≪リンツ≫ I-Adagio-Allegro spiritoso 00:06:45
02. 交響曲第36番 ハ長調 K.425≪リンツ≫ II-Andante 00:07:02
03. 交響曲第36番 ハ長調 K.425≪リンツ≫ III-Menuetto 00:03:22
04. 交響曲第36番 ハ長調 K.425≪リンツ≫ IV-Finale; Presto 00:07:52
05. 交響曲第38番 ニ長調 K.504≪プラハ≫ I-Adagio-Allegro 00:09:42
06. 交響曲第38番 ニ長調 K.504≪プラハ≫ II-Andante 00:08:33
07. 交響曲第38番 ニ長調 K.504≪プラハ≫ III-Finale; Presto 00:05:19
SACD 2
01. 交響曲第40番 ト短調 K.550 I-Molto Allegro 00:06:08
02. 交響曲第40番 ト短調 K.550 II-Andante 00:08:14
03. 交響曲第40番 ト短調 K.550 III-Menuetto; Allegretto 00:04:00
04. 交響曲第40番 ト短調 K.550 IV-Finale; Allegro assai 00:05:17
05. 交響曲第41番 ハ長調 K.551≪ジュピター≫ I-Allegro vivace 00:07:34
06.交響曲第41番 ハ長調 K.551≪ジュピター≫ II-Andante cantabile 00:07:35
07. 交響曲第41番 ハ長調 K.551≪ジュピター≫ III-Menuetto; Allegretto 00:04:55
08. 交響曲第41番 ハ長調 K.551≪ジュピター≫ IV-Finale; Molto Allegro 00:06:46

Carl Schuricht - Mozart: Symphonies Nos.36, 38, 40, 41 (1961-64) [2016 SACD The Valued Collection Platinum]

* Limited edition
* Stereo recording
* SACD layer: MS 24bit Processing 192kHz / 24bit remastering (192kHz / 24bit remastering in 2015 from analog master tape owned by Nippon Columbia)
* CD layer: Newly remastered in 2016 with digital conversion at 44.1kHz / 20bit using Denon A / D converter
* There are some parts that are hard to listen to, but they are on the original tape (the missing and noises in the original master are also recorded as they are). Please note.

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