Artist: Sherman Hayes
Title: Catman
Year Of Release: 1973/2011
Label: Big Pink
Genre: Swamp Blues, Southern Rock
Quality: Flac (tracks)
Total Time: 30:40
Total Size: 193 Mb (scans)
Tracklist:1. Catman (Sherman Hayes) - 2:51
2. Winter's Just Like Comin' Home (Sherman Hayes) - 4:10
3. South's Gonna Rise Again (Bob Mcdill) - 2:55
4. The Dreamer (Sherman Hayes) - 4:00
5. Keepin' To The Backroads (Sherman Hayes) - 3:46
6. Creepy Crawly Feelin' (Sherman Hayes) - 2:55
7. Mandy (Sherman Hayes, Dann Lottermoss) - 2:05
8. Spirit (Larry Murray) - 2:08
9. Waitin' For Tomorrow (Sherman Hayes) - 2:45
10. Country Rain (Sherman Hayes) - 2:54
Sherman Hayes - Vocals, Guitar
Jonathan Avila - Harmonica
Larry Brown - Drums
Colin Cameron - Keyboards
David Cohen - Guitar
Dennis Conway - Drums
Thomas Kaplan - Guitar
Larry Knechtel - Keyboards
Joe Osborne - Keybaords
Dick Rosmini - Guitar
Robert Schnitzer - Guitar
Ralph Shuckett - Keyboards
Chris Smith - Guitar
Living in L.A. eventually led "Slick" and "Zip" to their little known yet amazing studio appearance on this fine southern rock styled Sherman Hayes (Jr.) album, titled "Catman." Released by the Andy Williams owned Barnaby Records, 1973's "Catman" offers up a weird combination of swamp rock, pop and country influences. Hayes certainly had a likeable voice which was at its best on the more blues and rock oriented numbers like the bizarre opening title track, 'Keepin' To the Backroads' and 'Creepy Crawly Feelin'. To be honest, most of the ten tracks are quite catchy (particularly where Hayes' swamp rock moves recall Tony Joe White), but the rural feel that infuses tracks such as 'Winter's Just Like Comin' Home' and The Dreamer' probably won't have much appeal to most rock fans. Elsewhere, boasting one of those irritating hooks that stick with you all day long, 'Mandy' would have made a dandy single.
Unfortunately, the combination of the OPEC gas crises (which drove vinyl prices through the roof), coupled with the collapse of Barnaby's distribution agreement with the label ensured the album got next to no promotion, explaining why it instantly vanished into cutout bins.
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