Artist: Angela Hewitt Title: Bach: The Six Partitas Year Of Release: 2019 Label: Hyperion Genre: Classical Quality: FLAC (image + .cue, log, booklet) Total Time: 2:29:57 Total Size: 490 MB
Tracklist:Johann Sebastian Bach (1685-1750)Disc 1 Partita No. 1 in B flat major BWV8251. I. Praeludium 2. II. Allemande 3. III. Corrente 4. IV. Sarabande 5. V. Menuet 6. VI. Giga Partita No. 2 in C minor BWV8267. I. Sinfonia. Grave Adagio - Andante - (Allegro) 8. II. Allemande 9. III. Courante 10. IV. Sarabande 11. V. Rondeaux 12. VI. Capriccio Partita No. 4 in D major BWV82813. I. Ouverture - (Allegro) 14. II. Allemande 15. III. Courante 16. IV. Aria 17. V. Sarabande 18. VI. Menuet 19. VII. Gigue Disc 2 Partita No. 3 in A minor BWV8271. I. Fantasia 2. II. Allemande 3. III. Corrente 4. IV. Sarabande 5. V. Burlesca 6. VI. Scherzo 7. VII. Gigue Partita No. 5 in G major BWV8298. I. Praeambulum 9. II. Allemande 10. III. Corrente 11. IV. Sarabande 12. V. Tempo Di Minuetta 13. VI. Passepied 14. VII. Gigue Partita No. 6 in E minor BWV83015. I. Toccata - (Fugue) 16. II. Allemande 17. III. Corrente 18. IV. Air 19. V. Sarabande 20. VI. Tempo Di Gavotta 21. VII. Gigue As a specialist in Johann Sebastian Bach's keyboard music, Angela Hewitt has recorded some of his works more than once, as she did with the Well-Tempered Clavier and the Goldberg Variations. It's not surprising that she has recorded the Six Partitas on two occasions for Hyperion, the first time in 1996-1997, and then this double-disc late in 2018, as part of her "Bach Odyssey" recital series. This interpretation doesn't differ greatly from her earlier set, but mostly in small matters of dynamics and phrasing, so the listener may have to flip a coin to choose between them. Even so, something must be said for a performer who periodically revisits the touchstones of her career, and lets the differences arise naturally from her years of thinking, playing, and recording, rather than by introducing radical changes or distracting novelties. Hewitt's consistent expressions have given her performances an organic quality, so the music always feels particularly shaped according to her sound and touch. This recording was made on Hewitt's own Fazioli piano, so the personal connection between the artist and a favorite instrument must not be overlooked. Hyperion's sound is immaculate, recorded in the Kulturzentrum Grand Hotel in Dobbiaco, Italy, and the recording is fully audible with credible presence. ~ Blair Sanderson
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