Artist: Sarah Connolly & Joseph Middleton
Title: Come to Me in My Dreams
Year Of Release: 2018
Label: Chandos
Genre: Classical
Quality: FLAC (image + .cue, log, booklet)
Total Time: 1:17:18
Total Size: 298 MB
Tracklist:01. Muriel Herbert: The Lost Nightingale
02. John Ireland: Earth's Call
03. John Ireland: The Three Ravens
04. Thomas Frederick Dunhill: The Cloths of Heaven
05. Herbert Howells: Goddess of Night
06. Frank Bridge: Journey's End
07. Benjamin Britten: A Charm of Lullabies, Op. 41: No. 1, A Cradle Song
08. Benjamin Britten: A Charm of Lullabies, Op. 41: No. 2, A Highland Balou
09. Benjamin Britten: A Charm of Lullabies, Op. 41: No. 3, Sephestia's Lullaby
10. Benjamin Britten: A Charm of Lullabies, Op. 41: No. 4, A Charm
11. Benjamin Britten: A Charm of Lullabies, Op. 41: No. 5, The Nurse's Song
12. Arthur Somervell: Into my heart an air that kills
13. Gustav Holst: Journey's End
14. Frank Bridge: Where she lies asleep
15. Frank Bridge: Come to me in my dreams
16. Benjamin Britten: A Sweet Lullaby
17. Benjamin Britten: Somnus, the humble god
18. Charles Hubert Hastings Parry: Weep you no more, sad fountains
19. Charles Villiers Stanford: A soft day
20. Cecil Armstrong Gibbs: Sailing Homeward
21. Ernest John Moeran: Twilight
22. Ivor Gurney: Thou didst delight my eyes
23. Ivor Gurney: The fields are full
24. Ivor Gurney: All night under the moon
25. Rebecca Clarke: The Cloths of Heaven
26. Michael Tippett: Songs for Ariel: No. 1, Come unto These Yellow Sands
27. Michael Tippett: Songs for Ariel: No. 2, Full Fathom Five
28. Michael Tippett: Songs for Ariel: No. 3, Where the Bee Sucks
29. Mark-Anthony Turnage: Farewell
Sleep is a common enough subject in art song, and Come to Me in My Dreams, a recital by mezzo-soprano Sarah Connolly and pianist Joseph Middleton, isn't the only one. It may well, however, be the best. There are numerous attractions, starting with Connolly's voice, seeming to catch the mixture of clarity and seductiveness in the sleep phenomenon. Connolly touches on some little-known numbers, including a gem by the still rarely heard Muriel Herbert right at the beginning (sample the unaccompanied opening, and you'll be hooked for the duration). The music is all British, mostly from between the world wars, and all more or less similar in tone, although there's some splendid poetry involved. This leads you to Connolly's real triumph: given these limitations, she forges a varied and compelling program that has distinct parts and moods put together effectively. Connolly is most known for singing early music, and that serves her well here. Pieces like John Ireland's chilling setting of The Three Ravens, and Charles Villiers Stanford's traditional song adaptation A Soft Day evoke earlier styles. The program has a centerpiece, Britten's very lively A Charm of Lullabies, Op. 41, and a forward look near the end, Michael Tippett's three Songs for Ariel. Carrying it all is Connolly herself, who seems to hold each song suspended over the realm of sleep. Middleton knows enough to keep his part restrained and stay out of the way of her extraordinary performance. An essential British song recital. ~ James Manheim
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