NewDayz.Ru > Музыка > Bois de Cologne - Early Music for Recorders and Harp (2004)
Bois de Cologne - Early Music for Recorders and Harp (2004)22 мая 2020. Разместил: kingdevil |
![]() Artist: Bois de Cologne Title: Early Music for Recorders and Harp Year Of Release: 2004 Label: Marc Aurel Edition Genre: Classical Quality: FLAC (image+.cue,log,scans) Total Time: 55:49 Total Size: 375 Mb Tracklist: 01. Anon., Italy, ca. 1340: Trotto 02. Anon., ca. 1340: O Ceteris 03. Anon., Spain, ca. 1500: Cancion: Nina y Vina 04. Guillaume de Machaut (1300-1377): Virelais: Quant je suis mis au retour / Mais souvent pleurent Francesco Landini (1325-1397) 05. Questa fanciull amor 06. Quel sol che raggia 07. Donna il tuo partimento 08. Anon., ca. 1350: Lamenti di Tristano / La Rotta 09. Salomone Rossi (1570-1630): Sonata sopra l'aria di Ruggiero 10. Tarquino Merula (1595-1665): 'T Hane en't Henne-gekray 11. Anon., ca. 1580: Hühner G'schrei 12. Anon., 1280: In seculum artifex 13. Jacob Van Eyck (1590-1675): Amarilli mia bella 14. Simon Marco Uccelini (1603-1680): Aria sopra il Carporal 15. Thomas Preston (d after 1559): Uppon La Mi Re 16. Henry Purcell (1659-1695): Chaconne 17. Anon., England, 17th c.: Paul's Steeple 18. Thomas Tollett (1640-1696): Tollets Ground 19. Turlough O'Carolan (1670-1738): Princess Royal & Fanny Power 20. William Croft (1678-1727): Fluto Sonata Terza Performers: Bois de Cologne: Meike Herzig & Dorothee Oberlinger (recorders) Tom Daun (harp) Historical harps, recorders, serpent, portative, fiddle and violin, not a common instrumentation - and a very vital one. Old-time music is not mimicked here, but lived: atmosphere, density without fuss. In the center the music itself: Music from the Middle Ages, the Renaissance, the Early Baroque. Bois de Cologne's music-making is characterized by a love of improvisation and experimentation: many of the old melodies not only require a careful, source-critical arrengement, but also an imaginative interpretation. To empathize with the music of bygone eras and to be inspired by it - these are important aspects of Bois de Cologne's work. The instruments are excellent replicas of historical models. The Harp plays melody or continuo; the recorders, from the tiny sopranino to the (externally) edgy headhigh sub-bass, are air spirits, voices, tongue art and breath. The fidel, bordun-colored, gently in viola position. Bois de cologne, a wood that bears special fruits. The ensemble consists of a core that can expand depending on the project. From the duo recorder / harp to the quartet, different constellations are possible. The trio variant with gothic fiddle / violin is particularly specialized in medival music, the trio with two recorders and harp plays programs from early to high baroque. Download links: Вернуться назад |